On Cosmogramma, Flying Lotus is equally comfortable delivering what listeners have come to expect from him (sick beats, tactile textures, an ADD predilection for 8 bit blips and beeps) and blowing those expectations wide open. You hear it right away on Clockcatcher, first unleashing an unholy manic onslaught of space invaders artillery that has you thinking "too much too soon" right before it spins out in all directions leaving behind a field of sonic debris. Much of the album's first half has an equally disorienting soundscape. Sounds and melodies collide and fracture only to coalesce moments later into a cohesive groove. It's disorienting but more than worth it. This is how you know an album is going to be a grower, when you get halfway in and you already want to back track to get a closer listen. It delivers the goods, but in such idiosyncratic and surprising ways that you're not sure how to take it at first. You let in unravel and open up and discover a new way of listening until your more or less hooked. Like, I really wasn't down with all the bit crunched bass solos at first, now I can't imagine the songs with out them.
Although this wasn't the album I was expecting, it's actually the kind of album I've been waiting for all year. Don't get me wrong, Teen Dream still makes my heart do swan dives into a sea of dark blue melancholy, but there's only so much of that I can take in my life. Teen Dream is something to be careful with, to dole out with care or save for a rainy day. Cosmogramma is an album to get lost in, to dwell upon and discover as well as (at times) something to play at a BBQ or a midsummer's dance party. It's daring and inventive as well as warm and inviting, much like the man himself was when I saw him rocking a packed Double Door crowd, the wizard himself tearing it apart and grinning for days in sheer enthusiasm.