Showing posts with label wtf. Show all posts
Showing posts with label wtf. Show all posts

Friday, June 5, 2009

Eddie Vedder's got some (if you need it)

So this is indisputably lame but, I think I love this song


I know it's just Devo's "Gut Feeling" re-rawked by your dad's favorite alt rock band, but I fucking love it. I love that McCready dances around like Billy Joe Armstrong (windmilling on a P-90 Les Paul Jr no less, although a yellow double cut away is way cooler than Billy Joe's white one). I had to watch it completely sober the next day just to make sure I wasn't losing it.

Actually, the feeling I got was the same feeling that this video elicited:



Oh man, I wanna BMX now. I halfway expect James Murphy to show up at some point, I can't explain why. Also, on the topic of old people, I just read the 33 1/3 book on Pink Flag, and I'm finishing the Daydream Nation one. It's been great to revisit both albums, but it's also been good to see that both Wire and Sonic Youth have lasted long enough to produce even more great work. It makes me wonder who's going to survive our current crop of young turks.

It doesn't look good.

Friday, April 17, 2009

FAIL

There is a man named Asher Roth, and I lived in a much happier world before I knew of his existence.

Exhibit A

Ok, so you say, it’s all in good fun. Too easy to hate on. Too much a whorish and tacky affair to take seriously. And, there’s a sense of humor here. But, exhibit B:




Not the best thing to be said over “A Milli,” not the most intelligent or even clever critique, but it is scathing. It is rewarding in some way.

I’m not going headlong into the delicate subjects of race, privilege, fame, and success in Hip Hop. Just because I’ve been catching up on Dilla, Madlib, and DOOM doesn’t mean I can throw my weight around like I’ve been invested in the genre long enough. But a piece of shit is a piece of shit. That’s all fine as long as a piece of shit doesn’t become this year’s frat rock party jam, and the panting and desperate record industry descends upon us with it in their talons.

Ash could have made anything out of himself. He is an internet phenom, riding on the success of marginally impressive mixtapes. He could have picked used his minor wave of hype and step up and refine the humor and critique of his A Milli freestyle. The fixation on minutiae, conversational delivery, reminds me of Mike Skinner, at least for a couple seconds. But now he’s hip-hop’s response to Tucker Max.
The educated, aware, marginally talented young privileged white kid who squanders his talent and makes a clown of himself. He’s someone who realizes how fucked up his situation is, but takes the money and fucking dances. His only solace is that his success proves how vapid his fans and critics are to give him the success and attention. Or more depressingly, the former doesn’t even apply. He has never questioned his actions.

Sunday, March 8, 2009

The fuck happened to P4k?

Really?

This isn't a music crit website, this is an ipod ad.

Wednesday, February 18, 2009

WTF



It's not that I hate an independent musician for getting driven around New York while chugging Starbucks, picking up her $1000+ guitar, claiming Williamsburg is the best place in the world, impulsively buying recording equipment on credit, being aggressively boring, all to end the day in a prolonged photo shoot at her gorgeous Manhattan apartment with her pack of poodles in an inch of gawdy make-up.
It's that I get the impression that I'm not supposed to hate it.

Young Chicagoans are more than aware of the tired trixie/chad/Northside vs art school brat/scuzzy hipster/Westside dichotomy. But alas, New York has surpassed us uniting the above into an unstoppable late capitalist nightmare. Give me a tie and a blackberry and point me to my middle management job because I'm packing it in. Anyone want to buy some guitars?

Friday, January 23, 2009

Pitchfork.tv makes me wanna smoke crack

All in all, I find Pitchfork's venture into internet video pretty entertaining. I like that it's commercial free, I usually enjoy the content, and even its flaws usually aren't glaring or obnoxious. One small bone I have to pick with the site is the usually breathless fanboy interviews (see Justice, Liz Phair, Animal Collective). Not that I feel like these artists need the third degree, but the wide eyed puppy dog interviewers tend to deflate the interview pretty quickly. And then there's this...



From the completely shrugged off show of fraternal physical affection, to his ability to be completely disoriented by a single word answer, Cosmo Lee steals this interview with his black hole of a personality. To Jesse's credit, his comic timing is unflappable. But it's as if his one liners and aphorisms just register a "DOES NOT COMPUTE" in the CPU of Cosmo's humorless android brain. Give this man an original series, or maybe just drop him into Tim Harrington's waste of server space, Beardo.